How do we ground and bind those experiences? What is the value in giving them edges so we may hold them in our hands and hope to understand, perhaps, the weight of the work we produce?īy December, every piece of the application had been disassembled, scrubbed, and oiled from a user experience, surface design, and information architecture perspective. This is an essay about recognizing and reorganizing our journeys that live largely in digital space. To gain perspective on a journey captured in bits. A space without implicit edges to one composed entirely of edges.įor a while now it had been clear to all of us that edges are a critical framing aid in helping us consume but it wasn’t until last year - helping build Flipboard for iPhone - that I began to understand how critical they are to gain perspective on creation. These are questions I’ve found myself returning to repeatedly these past few years.Ībstractly, you can think about going from digital to physical as going from boundless to bounded. How can they reframe experiences to help us better understand them? To go digital-physical and back again is increasingly frictionless. We've entered a similar binary on/off era for physicality. That could be reproduced by a "flip-flop." Speech waves and reducing them to the smallest quantities was working on an idea for quantizing speech - taking Not just tiny but abstract - a binary digit, a flip-flop, The bit is a fundamental particle of a different sort: In James Gleick's The Information, there's a moment where the very idea of information is abstracted to on and off states.
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